Shuttle scuttle sound tracl3/28/2023 ![]() ![]() They also have totally different perspectives that will clash with DMN, which is exactly the point. It may also be double, which is why I’m having trouble managing it all (for now).īut the payoff is already being felt: these people know more about their fields than we ever can, because that’s what they’re doing and experiencing every day. Now, we’re receiving more requests from executives, artists, attorneys, investors, and technologists than ever before. Last year, we started inviting industry experts - people working in the trenches - to contribute. They are fearless, amazing writers with superstar voices, and I hope I can feed those voices even more in 2015.Īnd the best part is that they greatly diversify the topics, opinions, experiences, and resulting discussions. And most of all, they’re not afraid of putting their opinions out there, and weathering all the hate (and love) that comes with that. They have strong perspectives, deep knowledge, and enormous passion. Both of them have broadened Digital Music News enormously, across artist- and tech-focused terrains. ![]() ![]() There’s now a lot less Resnikoff.Įnter Ari Herstand and Nina Ulloa, who I believe are among the most – if not THE most – talented writers in the music industry right now. Frankly, Digital Music News needed fresh voices, different ringleaders, and a more decentralized (and inconsistent) editorial voice. We were sort of there, but up until a few years ago, this was still the ‘Paul Resnikoff Show’ other perspectives and areas of expertise were not getting aired except in comments (but not always). ![]()
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